The eggs and I: a love story
Art of the stovetop, art of the camera: a daily gift of fried eggs becomes a portfolio of variations on a theme.
Art of the stovetop, art of the camera: a daily gift of fried eggs becomes a portfolio of variations on a theme.
Diana Burbano’s audio play “The Vertical City” is a tragic (and triumphant) vision of a futuristic PDX.
The new executive director of the Oregon Coast Council for the Arts is excited by his new job and his new home.
ArtsWatch Weekly: A festival to remember, theater heats up, All Classical leaps forward, Chachalu steps up.
Suzanne Lindon’s “Spring Blossom” is a surprise in many ways; Disney’s “Cruella” rings in the summer season.
Steph Littlebird’s series “Indigenous Resilience in Oregon” continues with a feature on the Chachalu Museum and Cultural Center.
The Portland Art Museum has had a European collection since its founding. What does it mean to exhibit European art in Portland in 2021?
The McMinnville theater reopens with Lance Nuttman in a one-man show about the nature of inspiration.
Portland’s All Classical Radio moves to bring more diverse music to more diverse audiences.
As the scaled-back Rose Fest readies its Porch Parade, a tribute to the canceled Rose City Classic Dog Show.
ArtsWatch Weekly: We’re emerging, but into what? The culture, and the arts world, consider the possibilities.
Lizzy Ellison moved to L.A. and then came home to Portland. Now, with Cardioid, she’s making her mark again.
Jovencio de la Paz’s new exhibition at Holding Contemporary probes the space between the digital and the analog. Lindsay Costello reviews.
Crystal Meneses brings art, words, and music together in an effort to put death back in the community’s hands.
As audiences emerge tentatively from Covid, Portland Opera roars out of seclusion with big changes.
What’s the most revolutionary “new” movie in town? A Melvin Van Peebles filmed-in-France flick from 1968.
Stage & Studio: A gay Taiwanese-American filmmaker documents LGBTQ+ climbers’ quest to climb Mt. Hood.
Artists emerge from the shutdown with work created in isolation, and live theater returns to the Yamhill County stage.
Photographer Rich Bergeman talks with Blake Andrews about abandoned places and the pull of the past.
On an April evening in 1944, a young dancer from Portland made history in Jerome Robbins’ first ballet.
ArtsWatch Weekly: As Oregon begins to open up, live performances get ready to join the crowd, indoors & out.
Luiza Lukova explores RACC’s new program “Capturing the Moment – Stories from a Pandemic” and highlights artist projects from the debut selections.
Vandalism has supporters wondering how to maintain public access while protecting the Newport memorial.
Book review: J.T. Bushnell’s debut novel delves into family loyalty, bad decisions & the grace of empathy.
Lindsay Costello explores Ryan Pierce’s latest show “Awake Under Vines” on view at Elizabeth Leach Gallery.
The composer and Reed prof talks about doing what all composers should: releasing a whole album of her own music.
ArtsWatch Weekly: Storm Large and 3 Leg Torso make a movie, Chamber Music NW goes live, the Joy of words.
With vaccines on the rise, the Oregon Symphony plans a fall return to the Schnitz – and has more news.
Oregon dance leaders talk about the long- and short-term future of dance. A little exasperation is involved.
Even with some in-house audience, the Kiggins is keeping a robust streaming-cinema system going.
The great American ballet star, who has died at age 86, was also a great teacher and a great human being.
Robert Ham’s monthly cruise through Bandcamp’s catalog unearths some good new local sounds.
An effort to remove offensive language from the state song could end up with dual anthems to Oregon.
The U.S. poet laureate talks about a new anthology of Native Nations poetry and the values it celebrates.
Subashini Ganesan’s pandemic-extended tenure as Creative Laureate still has one final project.
Lindsay Costello discovers a state of wonder in her roundup of art to see in May.
The director of Lauren Yee’s “The Great Leap” talks via podcast about racial equity, sound design & virtual theater.
Give to our GROW FUND.